Songs to Nowhere

The Gluts

Mashilla from Eat Acid See God (2021)

Sei Still will release their S/T debut album on Friday with Fuzz Club

Though their taut, driving motoric music might scream of 70’s West Germany, Sei Still are, in fact, a five-piece band hailing from Mexico City. Their machine-like sonic experimentations emerging not out acid-fuelled jam sessions in some underground communal space tucked away in this or that German city but, instead, three friends taking a random trip to desolate Mexican woodland to work on a couple of songs that would end up leading them to start a fully-fledged band. Now, said band are signing to London-based label Fuzz Club to put out their self titled debut album, due for release April 10th

It was Lucas Martin (Guitar/Vocals), Mateo Sanchez (Guitar/Vocals) and Andres Lupone (Bass/Vocals) that would embark on that formative woodland excursion but, now fleshed out into a full band, they’re also joined by Sebastian Rojas (Synth/Organ) and Jeronimo Martin (Drums). The record itself also bolstered by the production of Hugo Quezada, who they describe as “an icon from the Mexican underground scene and a true synthesizer aficionado.” As well as the given indebtedness to bands like Can, NEU! and the minimalism movement, together, Sei Still say that the album also take great inspiration from “Tarkovsky’s ‘Stalker’, ‘Easy Rider’ (the concept of the road has always been a present image of our collective imaginary) and the aesthetics of Spanish new-wave bands like Aviador Dro and Décima Víctima.”

Sesiones con Martin Delgado 105.3FM - Sei Still

Though delivered with Sei Still’s own distorted touch, the album’s eponymous opening-track ‘Blumenkriege’ recalls Stereolab at their most Kraut; the unrelenting motorik instrumentation overlaid with lush ethereal vocals courtesy of close friend Mabe Fratti and swirling analogue synths. ‘El Camino’, which they say “represents the group’s idea of movement, something that’s never static and is always changing, like life itself” is a driving

NEU!-esque wig-out, propelled by a sharp repetitive bassline so tight you can physically feel the tension building and building, never letting loose for a second. That propulsive energy is carried through to ‘Emision’ and paired with menacing feedback-heavy guitars and ominous atmospherics.

In the album’s second half, songs like ‘Fortuna’ and ‘Television’ fuse those motorik sensibilities with eerie spoken-word vocals, hypnotic synths and phaser-heavy guitars that drag the bands sound into more psychedelic territory. The album then wrapping up with the penultimate ‘Ladron’–a piece of dark manipulated drone a la Spacemen 3–and the sprawling 10-minute album-closer ‘Tácticas de Guerrilla Urbana’ which stretches the Sei Still sound to its outermost limits, in the most gloriously trance-inducing way.

Now signed to European label Fuzz Club and ready to transmit their angular Krautrock to a trans-Atlantic audience, Sei Still have spent the last few years cultivating a notorious reputation in their native Mexico, sharing the stage with the likes of Stereolab, Kikagaku Moyo, Holy Wave, Institute, New Candys, 10 000 Russos and Lorelle Meets the Obsolete.

Fuzz Club

+info
https://seistill.bandcamp.com/
https://fuzzclub.bandcamp.com/

Brant Bjork live!

The Cosmic Dead Live dB's Utrecht, The Netherlands

the Cosmic Dead bandcamp

Entrevista a Psilocibina - uma selva cheia de música

psi·lo·ci·bi·na

(latim científico Psilocybe, do grego psilós, -ê, -ón, despido, descoberto + grego kúbe, -es, cabeça + -ina)

substantivo feminino

[Farmácia, Química] Substância (C₁₂H₁₇N₂O₄P) que tem propriedades psicoactivas e alucinogénicas, encontrada em alguns cogumelos.

psi·lo·ci·bi·na
(latim científico Psilocybe, do grego psilós, -ê, -ón, despido, descoberto + grego kúbe, -es, cabeça + -ina)

substantivo feminino

[Farmácia, Química] Substância (C₁₂H₁₇N₂O₄P) que tem propriedades psicoactivas e alucinogénicas, encontrada em alguns cogumelos.

"psilocibina", in Dicionário Priberam da Língua Portuguesa [em linha], 2008-2013, https://dicionario.priberam.org/psilocibina [consultado em 12-10-2019].

Os Psilocibina estão em tour. São uma banda relativamente recente e com um nome bastante sugestivo para quem gosta do género a que se dedicam, daí que o inicio deste texto seja exactamente o paragrafo do dicionário que nos informa por alto do que estamos a falar. Tomei conhecimento dos Psilocibina através dos Samsara Blues Experiment, (Christian Peters vive actualmente no Brasil), com quem os Psilocibina viriam a fazer uma tour durante o ano passado. Não passaram despercebidos e se normalmente o não passar despercebido se relaciona com a "originalidade" de cada banda, aqui passa também pela qualidade e pela capacidade de se distinguirem dos demais ao não hesitar em dar um cunho muito brasileiro às suas músicas. Nos riffs e ritmos sentem-se essas mesmas raízes com novas roupagens mas sem se demitirem desse mesmo legado e isso é visivél nos nomes que escolheram para as suas músicas (Trópicos, Na Selva Densa). Esta noite vão estar no Sabotage Club para uma noite de riffs quentes e jams infinitas).

Psilocibina - 2069

Songs to Nowhere - Como se conheceram e como chegaram até este momento com esta formação?

Psilocibina - Olá! Nos conhecemos pois éramos todos da mesma cidade (Niterói, Rio de Janeiro). Eu (Alex Sheeny, guitarrista) já conhecia o baixista Rodrigo Toscano desde pequeno por ser muito amigo e ter estudado com seu irmão mais velho, assim começamos a tocar em casa juntos como amigos. Um pouco depois morei um tempo fora do Rio e nessa época o Rodrigo teve uma banda com o baterista Lucas Loureiro. Algum tempo depois nos reunimos para fazer jams e acabou formando uma banda.

STN - O nome da banda é extremamente sugestivo, por isso tenho de vos perguntar o porquê desta escolha, é uma sugestão ou uma declaração?

Psilocibina - O nome da banda tem a ver com o período em que formamos a banda, em que tivemos durante um tempo experiências com a psilocibina. Mas para nós o nome está relacionado diretamente com conceito de unidade entre o ser humano e a natureza, que acreditamos ser a mensagem mais importante dessa experiência. Não temos pretensão de sugerir nada, mas vemos essa ligação como algo importante e que buscamos traduzir em nossa música.

STN - O vosso primeiro disco foi editado em 2018 e dele saíram canções como LSD ou 2069, podem falar

um pouco do processo de composição dessas duas músicas?

Psilocibina - O processo de composição muitas vezes parte de uma ideia (como um riff ou uma progressão) e os arranjos são definidos muitas vezes a partir de jams. Temos hábito de gravar nossos ensaios e então quando conseguimos captar algo que consideramos expressivo normalmente damos prosseguimento.

STN - Foram sempre uma banda instrumental ou seja foi este o vosso projecto desde o inicio ou foi algo que aconteceu e nem se deram conta?

Psilocibina - Nós sempre fomos uma banda instrumental mas não estamos limitados a isso, talvez no próximo disco a gente experimente algumas inserções com voz nas músicas.

STN - Como funciona o vosso processo criativo?

Psilocibina - Como falei anteriormente: O processo de composição muitas vezes parte de uma ideia (como um riff ou uma progressão) e os arranjos são definidos muitas vezes a partir de jams. Temos hábito de gravar nossos ensaios e então quando conseguimos captar algo que consideramos expressivo normalmente damos prosseguimento.

STN - Quais as vossas maiores influências artísticas?

Psilocibina - Bom, temos um gosto musical bem abrangente, então seria um pouco limitador citar nomes. Mas o que nos influência e nossa formula é a fusão da música brasileira, jazz, rock e psicodelia.

STN - Quem produz a arte dos vossos discos e merchandising?

Psilocibina - As artes foram feitas por mim (Alex Sheeny, guitarrista) e a arte da turnê europeia (a da raposa) foi feita por mim e pelo baixista Rodrigo Toscano em parceria.

STN - Quais as vossas expectativas para esta primeira tour europeia?

Psilocibina - Sinceramente não sabíamos muito bem o que esperar, mas hoje estamos já chegando praticamente no meio de nossa turnê e todas nossas expectativas foram superadas. O retorno do público foi surpreendente e muito positivo. Estamos muito felizes com essa oportunidade e estamos dando tudo de si em todas as noites.

Songs to Nowhere - Que disco ou banda vos surpreendeu mais nos últimos tempos?

Psilocibina - Preferia pular esta pergunta pois diversos artistas em diversos estilos de música nos surpreendem quase que diariamente, então não seria justo nomear somente um.

STN- Tem outra ocupação para lá dos Psilocibina?

Psilocibina - Sim, todos nós temos outras ocupações. Infelizmente ainda é impossível para nós sobreviver somente de música e pagar contas ao mesmo tempo.

STN - Tem formação musical ou são auto didatas?

Psilocibina - Somos todos autodidatas.

STN - Qual a vossa opinião sobre as mudanças que a internet impôs ao mercado da música?

Psilocibina - Bom, são mudanças inevitáveis e acredito que essas mudanças tem lados positivos e negativos. Acho que não cabe a nós fazer um juízo de valor se essas mudanças são boas ou ruins pois seria somente perda de tempo. Estamos mais focados em aproveitar as novas possibilidades e sempre nos adaptar a realidade.

STN - Já passou um ano desde a saída de Psilocibina, ultrapassou as vossas expectativas? É que entretanto já abriram concertos para bandas como os Samsara Blues Experiment entre outros pesos pesadas da cena stoner e psicadélica actual….

Psilocibina - Sim, com certeza. O disco ultrapassou totalmente nossas expectativas pois de início não esperávamos nada. Gravamos e produzimos o disco de forma independente e até o próprio lançamento do nosso LP na Europa foi uma grande surpresa. Agora com a turnê está sendo surpreendente ver de perto aonde nosso trabalho chegou e como tocou algumas pessoas.

No entanto gostaríamos de ressaltar que nada disso seria possível sem o apoio do nosso selo no Brasil – Abraxas Records, comandado pelo irmão do Rodrigo, o Felipe Toscano. E também com o apoio do selo alemão Electric Magic Records (comandado pelo Christian Peters, Samsara Blues Experiment) que lançou nosso discos na Europa.

Psilocibina Supernova 3333

STN - Esta pergunta é quase sempre inevitável. Para quando um novo álbum?

Psilocibina - Estamos planejando um novo lançamento para o ano que vem. Nessa turnê já estamos tocando algumas músicas novas que estarão no próximo disco.

STN - Qual a vossa opinião e de que forma vos afecta a actual situação política no Brasil?

Psilocibina - Bom, somos totalmente opostos ao governo atual. Nos afeta pois além de ser um governo que que vai totalmente contra as liberdades individuais acreditamos ser a pior fase política que o país já passou.

STN - Se pudessem viajar no tempo com quem gostariam de partilhar o palco ou que concerto gostariam de ver?

Psilocibina - Se pudéssemos viajar no tempo seria para o futuro, então ficaria difícil nomear alguém para partilhar o palco. 2069!

STN - A última palavra é vossa!

Psilocibina - Gostaríamos de agradecer a todos que tem ido aos nossos shows e nos dado suporte seja comparecendo aos shows, comprando nossos discos ou nosso merchandise e também a nossas famílias e amigos que nos apoiam. Fazer música é uma tarefa ingrata mas ao mesmo tempo é um ideal de vida. Por isso nunca deixem de acreditar nos seus sonhos. É a única mensagem possível. Obrigado!

Entrevista - Isabel Maria

Mais Info

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Abraxas Records

Electric Magic Records

The Italian Job V - An interview with The Gluts

The Gluts playing at Effenaar, Fuzz Club'19

This is the fifth chapter of a series of interviews dedicated to italians bands currently creating and performing on very high levels of quality. I was introduced to The Gluts most probably through Fuzz Club releases or any other youtube channel I follow and I liked it almost immediately, but like most of the bands for whom I develop some kind of admiration, besides liking what they're producing, what has fascinated me is the way they present themselves to a live audience.

They played in Portugal in 2017 at Reverence Santarém.

2019 is the year of Dengue Hypnotic Fever, an album almost as strong and raw as they're live performances. At Eindhoven Fuzz Club the word was that they signed one of the best shows there, and for the looks of videos on youtube, I'm almost inclined to agree.

Showing a great deal of noise since the release of Warsaw in 2014 were you can find songs like Bad Man, Enemies or darker ones like Don't Tease Me Please or Vietnam, we can also identify this certain darkness that I mostly relate to a new interpretation of eighties post-punk that has spread all over europe and from wich The Gluts were one the first bands emerging. Listen to Estasi, released in 2017, or watch the Fuzz Club Sessions with the Gluts from 2018. And if you're still having second thoughts on these four italians listen to Dengue Fever Hypnotic Trip as loud as you can handle it! For all said before here's the interview with the Milanese band The Gluts, to give us a broader picture of what is happening in Italy, and more specifically with them!

Songs to Nowhere – When and how did you met and began playing together?

The Gluts - The Gluts were born in 2013 when Marco and Nicolò - who are a peaceful version of Gallagher brothers, respectively the guitarist and the frontman met Claudia. She was asked if she had known any bassist available around, she replied “That’s me” and the band was built up. Three years later, after two drummers, Dario joined the band after being “stalked” by Nicolò since the beginning.

The Gluts - Come To Fire

STN – Why did you call yourselves The Gluts?

The Gluts - The name comes from the artistic series made by Robert Rauschenberg, who worked with and displayed several abandoned and industrial final goods that weren’t sold because the offer was much higher than demand. The reason behind the choice was bound to the will to express a kind of excess, a noisy excess.

STN – Were there any differences between the making of Dengue Fever Hypnotic Trip and your previous works?
The Gluts - Maybe the main difference is that we had the opportunity to work with a producer for the very first time. We chose Bob De Wit and he chose us, it was a mutual pick, or bet, and it did go very well: he helped us with some new fresh ideas during the recording sessions. He’s the best we could have ever asked.

STN - How did you got acquainted with your current label?

The Gluts - Claudia was brave enough to write directly a message to Casper by Facebook Messenger. He listened to us, he liked us and sent us the contract the day after. A kind of a magic.

STN – Last year Fuzz Club released a Fuzz Club Session of The Gluts, how did you choose the songs to feature on it, what was the criteria?

The Gluts - That was quiete simple: we had a new album out and we were touring around Europe, so we picked up a bunch of the songs we were performing, preferring the ones that could better return multiple shades of our sounds.

The Gluts - Fuzz Club Sessions - That's Me

STN – Can you talk a bit about some of your songs and how they came up; I would like to suggest E. The Real Punk Rocker, Come To Fire and Don’t Believe in Fairy Tales...
The Gluts - Well, regarding the lyrics and the title of E. The Real Punk Rocker are a kind of a joke and tribute to a very famous italian songwriter, whose real name is Edoardo. He has nothing to share with the punk music scene, but we don’t usually listen to him, unless when we find ourselves stocked in the van for hours. Concerning Come To Fire, we wanted to experiment with drum machine and the song came out almost immediately.

STN - In your own terms how would you describe your music?
The Gluts - It’s not as easy as it seems. Probably it would be appropriate saying that it is a dark, obscure and angry energy that resides in our deeper and inner selves, which is given an external, noisy and punk musical shape.

The Gluts - E. The Real Punk Rocker

STN - How would you describe your individual parts on the creation process of your songs?

The Gluts - The individual parts are almost every time the preliminary work: it never happened that we found ourselves play an entire song entirely written from the beginning to the end by only one of us. It’s a collective work that could require a month for a song or just one night session.

STN - Who looks after your artwork?

The Gluts - We can barely draw a line, so the artwork is always looked after by a special guy, really creative and versatile. His name is Paolo Proserpio, who worked with Alessandro Comotti for the DFHT’s artwork.

STN - Your first release was a really DYI thing, do you still do things like that or you step into another level?
The Gluts - We did believe in our record, we received proposals from several record labels which were simply crazy, so we decided to produce and print it by ourselves. It was a reckless decision but the right one in the end. By the time of second press, things had changed we got a reasonable deal with German label Nasoni Records.

The Gluts - Enemies

STN - Where did you all learn to play? Did you have lessons or anything like that?

The Gluts - Do we really know how to play properly?

STN - Did you had previous experiences before The Gluts?
The Gluts - All of us. Claudia had two musical experiences before entering The Gluts: a all-female band called “The Cocos” and a power trio called “TSO”, meanwhile Dario played in a band with a fake French name, “gouton rouge”. In his 20’s Marco had played as guitarist and main vocalist for several years in “Gasnervino”, a pure punk rock band. About Nico’s experiences, well, it’s much better not to say anything more.

STN - How did you buy your first gear?

The Gluts - Working hard and grabbing from our dads’s gear. We are lucky enough to have all our fathers still playing in their own bands too!

The Gluts - Fuzz Club Session - Ponytail

STN - Can you tell us how was your first rehearsal?

The Gluts - Our first rehearsal with Dario on drums was really hot and exciting. It sounds like we matched on Tinder and went out for a date, it was awesome, but in the middle of the hottest week of that summer.

STN - How was it your first tour in Italy?
The Gluts - We simply don’t tour in Italy, We’re interested in playing sometimes around, but it never happened that we played three days in a row in Italy. We do not fit very well in the Italian scene.

STN - How the local music scene for you? Are there venues that were anyway crucial for you?
The Gluts - Narrowing the field to Milan, there are few good places for live music, it depends on your musical tastes, but unfortunately there’s still no crucial Italian venue for us.

STN - What about internet and new technologies impact on music? What’s your opinion our ideas about what has changed in these last 15/20 years in music, was it for the best?
The Gluts - This is a question that would need an essay to be given a proper answer, but our opinion is that internet and social media did and does really help bands to emerge, naturally not always, and create new social and musical bonds around the globe. The “music-scapes” is not local anymore, not only at least, but everything could be lasting less because there’s always something new that is eager to come out.

STN - How’s the interaction between bands?

The Gluts - Mutual respect, admiration and affection, mostly by social medial and in the backstages.

STN - What Italian bands most influenced you?

The Gluts - CCCP is by far the italian band that influenced us as individuals and musicians.

STN - What other musicians or artists influenced or influence you?
The Gluts - Maybe too many to recall all of them and write their names down, but we can confess you that during the last months interpersonal relations in the band were somehow heavily influenced by the fictional characters and dynamics of GOT.

STN - How are the radio and press in Italy? I mean regarding the underground scene…

The Gluts - We can name you four radio stations that push for emergent bands: Lifegate Radio, Never Was Radio, Radio Popolare, Radio Raheem and Radio Kaos Italy. Some friends of us work in all of them except in the first one, and they always give their best to let the listeners discover some new good music. We can also name you Radiophonic programs that we listen to sometimes, like Tropical Pizza on Radio Deejay and Babylon on Radio Rai2, which are two of the most important radio stations in Italy.

At the end, none of them can broadcast our songs, kind of too heavy stuff in Italy.

The Gluts - Fuzz Club Sessions - Squirrel

STN - Are you connected to other musical projects or do you have other occupations other than music?

The Gluts - Actually no, we do not have other musical projects.

STN - Could do us a short resume for dummies of Italian music?

The Gluts - (From the 60’s and so on, Luigi Tenco, Fabrizio De André, Lucio Battisti, Ivan Graziani, Franco Battiato, only speaking about the song singer-writer current. The latest one is definitely the most experimental italian popular composer and singer. Apart from it, there’s too much to say. Hope you don’t mind if we skip it.)

STN – “Dengue Fever Hypnotic Trip” was out in April. What are your expectations for it in the long term?

The Gluts - We want it to be considered for what it is, the greatest record of 2019 ;)

The Gluts - Bad Man

STN – If you could time travel, were would you like to go see a show or play?

The Gluts - If we had only one individual occasion Dario and Claudia would agree and probably they would catch up at Nirvana’s performances at Reading Festival or at the Paramount Theater. Marco would go for Jimi Hendrix, just to hear in person the fuzz effects he used to play, while Nicolò instead, would likely go for Sex Pistols in the 70’s. On the other hand, if we had to make a colegial decision we would opt for Joy Division, without any shadow of a doubt.
STN – When can we expect a show from The Gluts in Portugal?

The Gluts - Actually, we played in Portugal, two years ago. It was our experience in another part of Europe but Italy. We’d like to come back, but nothing on the horizon right now, sorry.

The Gluts at Fuzz Club Eindhoven'19

STN – Name the last song or band that completely blew your minds!

The Gluts - Well, lately we are all listening to “tunic”. Really like their attitude.

STN – The last word is yours!

The Gluts - Thanks for the interview Isabel Maria! For those who spend their time to read too. Listen to us, follow us on FB and IG and see you around, maybe in Eindhoven. (FCB19)

Thank You

Interview By Isabel Maria

More Info
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Fuzz Club
Bandcamp Fuzz Club

An Interview with SeRvo

Os SerVo estrearam-se em Portugal no inicio deste verão. Esta estreia foi proporcionada por uma excelente parceria entre o Sabotage Club e a Fuzz Club que traria várias bandas portuguesas e também internacionais ao palco do Cais do Sodré em duas noites. Uma sucessão de desaires e coisas menos boas levou a que o festival se viesse a resumir a uma noite onde actuaram os SerVo, Pretty Lightning e os portugueses 10 000 Russos. Apesar de tudo foi uma noite fantástica e a estreia dos SerVo não deixou nada ao acaso nem o crédito por mãos alheias, desde as luzes preparadas pela banda à projecção que se via quer no fundo do palco, quer outra mais pequena projectada apenas no amplificador de um dos músicos. A sua sonoridade que se pode situar nos meandros da nova vaga de post punk atinge o seu máximo potencial ao vivo, e se por agora, foi difícil encontrar alguma matéria sobre a banda, é seguro dizer que muito provavelmente daqui a um ano não será bem assim. O próximo disco já está perto de ser editado e a expectativa é alta.

Songs to Nowhere – How did you got acquainted and began to play?

SerVo - Louis (bass) and Arthur (guitar) know each other since they’re born. They began to play music together in high school. Hugo (drums) joined the band a bit later.

STN – What does it mean SeRvo?

SerVo - It is the name of a song from the BJM. I think, at the beginning, we just liked the way the word sounds. It’s quite difficult to find an adequate band name and we thought this one was not completely bad.

STN – How would you describe the music you do?

SerVo - It's hard to tell. We sometimes say “psych / cold”, but it doesn't really mean anything. Some people call us “postpunk” or “shoegaze”. The thing is that we use a lot of reverb, delay and fuzz but still try to avoid the “psych” stereotypes.We like to describe it as ambient, mechanical and violent.

STN – Could you disclose us a bit about your song Love#2 or anyother you would like to talk about?

SerVo - It's all about love and being ready to love.

STN – Where did you all learn to play? Did you have lessons or anything like that?

SerVo - We mostly learned by ourselves. Our drummer used to learn the clarinet when he was a child, but it is not something that's really usefull for the band.

STN – Can you tell us how was your first rehearsal?

SerVo - We don't really remember the first rehearsal, but we're almost sure it sounded awfull.

STN – How was it your first tour?

SerVo - For our first tour, we were with another band called Greyfell, we went to the east of France and Switzerland. It was mostly in squats and self-managed venues. It was cold and there were as many dogs as people during the shows, but we had fun.

STN – How the local music scene for you? Are there venues that were anyway crucial for you?

SerVo - We live in Rouen, which is not a very big city, there is not many venues but we've been supported by Le 106, a local venue where we can rehearse too, and the people who work there are really helping all the local bands. The other venue is Le 3 Pièces, which is a bar with a small scene in the cellar. We have to confess we spend a lot of time there. But there is actually a lot of bands in Rouen, and the scene starts to be really interesting. We created a collective with some friends that is called SOZA. It is meant to gather bands we like in Rouen.

STN – Which bands most influenced you?

SerVo – To name a few ones : - Black lips, A Place to Bury Strangers, Metz, Holograms, Dead Skeleton, Scrap Dealers and especially the opening song of Pokemon ..

STN – Could do us a short resume for dummies of French musical scene?

SerVo - There is a lot of bands, and some of them are actually really good. One of our favorite french band is Korto, you definitely should listen to their album.